Tzarina Prater

  • Professor, English and Media Studies
  • Department Chair
  • Coordinator of the English Major
  • Ph.D. in English, Rutgers University
  • M.A. in English, Rutgers University
  • B.S. in English, University of Southern Maine
  • A.S. in Business Administration, Bay State College

Awards and Honors

  • Adamian Award for Excellence in Teaching, Bentley University
  • Scholarly Contributions and Creative Productions

    Journal Articles


  • Prater, T. (2026). “A Ruinous Passion: A Conversation with Robert K. Lee” . Asian Diasporic Visual Cultures in the Americas (Forthcoming)
  • Prater, T. T. (2022). "From the Edges: Afterlives of Chinese Indenture in Patricia Powell's The Pagoda". Wasafiri: International Contemporary Writing/Taylor and Francis, (37) 110 23-34.
  • Prater, T. (2022). "The Treachery of Images, The Violence of Narrative". Small Axe/Duke University Press
  • Prater, T. (2021). "Easton Lee: Performing Nation". The Literary Encyclopedia
  • Prater, T. (2020). "'Always Together': A Digital Diasporic Elegy". SX Archipelagos (Link)
  • Prater, T. (2020). "Sino Caribbean Performance and Music". Oxford University Press
  • Prater, T. T. (2015). "'Look Pon Likkle Chiney Gal': Tessanne Chin, The Voice, and Digital Caribbean Subjects". Anthurium: A Caribbean Studies Journal, (12) 1 Article 11, 24 pp. (Link)
  • Prater, T. (2014). "'We are Jamaicans. We are Brothers': History, Brotherhood, and Independence in Kerry Young's Pao". Anthurium: A Caribbean Studies Journal, (11) 2 (Link)
  • Prater, T. (2014). "Labrish and Mooncakes: The Meeting of Vernaculars in the Work of Easton Lee". Small Axe: a Caribbean Platform for Criticism, (18:01) 43 pp. 149-160.
  • Prater, T. (2013). "Forgetting to Remember: The Performance of Memory and History in John O. Killens' The Cotillion: or One Good Bull is Half the Herd". Journal of African American Studies
  • Prater, T. (2012). "Transgender, Memory, and Colonial History in Patricia Powell's The Pagoda". Small Axe: A Caribbean Platform for Criticism, (37)
  • Prater, T. "'Old Man Your Kung Fu is Useless': African American Spectatorship and Hong Kong Cinema". Post Road 2 185-215. (Link)
  • Books


  • Prater, T. T. (). The Aleatory Nature of Things: Afterlives of Chinese Indenture and National Belonging in Chinese Jamaican Cultural Production SUNY Press (In Progress)
  • Book Chapters


  • Prater, T. T. (2027). “The Story I’m Telling is a Trinidadian One”  The Condition of Being Near. Leiden, Netherlands: Brill Academic Publishers (Forthcoming)
  • Prater, T. T. (2025). "Caribbean Digital Diaspora" The Routledge Handbook to Caribbean Studies. New York, NY: Routledge (Link)
  • Fung, C., Prater, T. (2015). "'How does it not know what it is?': The Techno-Asian Body in Ridley Scott's Blade Runner and Larissa Lai's Automaton Biographies" Techno-Orientalism: Imagining Asia in Speculative Fiction , History, and Media. Rutgers University Press (Link)
  • Prater, T. (2012). "'Him favor mad. Him favor prophet': Reimagining the Sacred in Michelle Cliff's No Telephone to Heaven" Let Spirit Speak! Cultural Journeys Through the African Diaspora. Albany: State University of New York
  • Prater, T. (2012). "'Him favor mad. Him favor prophet': Reimagining the Sacred in Michelle Cliff's No Telephone to Heaven" Let Spirit Speak! Cultural Journeys Through the African Diaspora. Albany, New York: State University of New York Press
  • Prater, T. (2012). Caribbean spaces, transatlantic spirit: Violence and spiritual reimaginings in the Caribbean . State University of New York Press
  • Exhibitions


  • Prater, T. T. (2016). “R4G: Retire that Bladerunner, A New Lesbian Life Awaits You”
  • Other Scholarly Work


  • Prater, T. (2024). "'Introduction' to Rope and the Cross by Easton Lee". Manchineel + Seagrape, (1) 1 (Link).
  • Prater, T. (2020). "Diaspora". Creative Commons (Link).
  • Prater, T. T. (2017). "Participant Waiver and Release". The Smithsonian Asian Pacific Center .
  • Prater, T. (2014). #ABCReports and Black Twitter. In Media Res (Link).
  • Prater, T. (2014). "'Let me tell you how I began': A Conversation with Easton Lee". SX Salon: A Small Axe Literary Platform .
  • Presentations


  • Prater, T. (2025). “"The Art and Archive of Jean D'Costa"” Presented at the The Revolutionary Power of Storytelling: Children's Literature The University of Florida at Gainesville
  • Prater, T. (2025). “"Digital Traces and Elegiac Practice: Victor L. Chang"” Presented at the OCAD Surfacing: Chinese Caribbean Intellectual Thought and Creative Practice Toronto, Canada
  • Prater, T. (2025). “"From Wax to Stacks: Learning (in) the Digital Yard"” Presented at the WIACLALS (the West Indian Association for Commonwealth Literature and Language Studies West Indian Literatures Conference University of Miami
  • Prater, T. (2025). “"Storytelling, History, and Diaspora"” Presented at the City of Boston Black Histories Across Borders City Hall Pavilion, Boston City Hall
  • Prater, T. (2024). “Critical Digital Pedagogy” Presented at the Caribbean Digital Scholarship Collective The Caribbean Digital Scholarship Summer Institute University of Miami
  • Prater, T. (2023). “Digital Archives” Presented at the Caribbean Digital Scholarship Collective The Caribbean Digital X Yale University
  • Prater, T. (2023). “"Do you know me?: Caribbean Diasporic Femininity and Self Authorization"” Presented at the American Studies Association American Studies Association Conference Montreal, Quebec, Canada
  • Prater, T. T. (2023). “"Self-Display and Self-Authorization in Caribbean Women's Performance"” Presented at the West Indian Literatures Conference Kingston, Jamaica
  • Prater, T. (2023). “"Afterlives of Chinese Indenture in Contemporary Caribbean Literature"” Presented at the Association of Asian American Studies Los Angeles, CA
  • Prater, T. (2023). “"A View of the Future From 'Here'"”
  • Prater, T. T. (2022). “"Ink-Stained Fingers: Afterlives of Chinese Indenture in the Fiction of Patrica Powell"” Presented at the Pacific Ancient and Modern Language Association Annual Pacific Ancient and Modern Language Association Conference Los Angeles, California
  • Prater, T. T. (2022). “"'He could feel the texture of the ink but it gave no clue': Afterlives of Chinese Indenture in Hannah Lowe's Long Time No See"” Presented at the West Indian Literatures Conference Annual West Indian Literatures Conference Nassau, Bahamas
  • Prater, T. (2022). “"Afterlives of Indenture in Contemporary Caribbean Fiction"” Presented at the OCAD University (Ontario College of Arts and Design), Concordia University, and York University Afterlives of Indenture: A Wasafiri Launch Toronto, Canada
  • Prater, T. (2022). “"A Note on History: Afterlives in the Wreck"” Presented at the Ford Foundation Everything Slackens in a Wreck/A Pride Love Up New York
  • Prater, T. T. (2021). “"Equity in Diversity and Inclusion"” Presented at the City University of New York Faculty Fellowship Publication Program New York
  • Prater, T. T. (2021). “Transformative Learning: Black Love as Pedagogical Principle” Presented at the City University of New York Transformative Learning in the Humanities New York
  • Prater, T. (2021). “"Professionalization in the Field"” Presented at the CUNY New York CUNY Faculty Fellowship Publication Program CUNY Graduate Center
  • Prater, T. (2020). “"Keywords for Caribbean Studies"” Presented at the Barnard College and Columbia University The Caribbean Digital VII
  • Prater, T. (2020). “Meet Me in Cyberspace: Theorizing Production and Reception of Textual Forms in the Digital Age” Presented at the NMLA Northeast Modern Language Association Boston, MA
  • Prater, T. (2019). “Decolonizing Race, Gender and Social Movements” Presented at the York University Decolonization, Performance and Social Movements in the Caribbean and Canada 1968-1988 Toronto, Canada
  • Prater, T. (2019). “Nang by Nang (2018): A Conversation with Richard Fung” Presented at the Rutgers, The State University of New Jersey Nang by Nang (2018): A Conversation with Richard Fung New Brunswick, New Jersey
  • Prater, T. T. (2018). “"'Always Together': A Digital Diasporic Elegy"” Presented at the Barnard College, Columbia University, and the University of West Indies, St. Augustine The Caribbean Digital Trinidad and Tobago
  • Prater, T. T. (2018). “"The Children of Dragons and Shopkeepers: National and Genealogical (Un)Certainty"” Presented at the University of Miami West Indian Literatures Conference Miami, Florida
  • Prater, T. T. (2018). “"Grief and Mourning in the Poetry of Hannah Lowe, Ann-Margaret Lim, and Staceyann Chin"” Presented at the Association of Asian American Studies San Francisco, California
  • Prater, T. T. (2017). “"We mek do, mek do: Race, Gender, Nation, and Digital Platform"” Presented at the University of Wellington Cultural Studies Association of Australasia Wellington, New Zealand
  • Prater, T. T. (2017). “"Hostility and Love in the Poetic Topographies of Hannah Lowe and Ann-Margaret Lim"” Presented at the University of West Indies West Indian Literatures Conference St. Augustine, Trinidad and Tobago
  • Prater, T. T. (2016). “Multimedia Melting Pots” Presented at the Columbia University and Barnard College Caribbean Digital New York, New York
  • Prater, T. T. (2016). “"Negotiating National Identity in a Digital Diaspora"” Presented at the University of West Indies - Mona West Indian Literatures Conference Montego Bay, Jamaica
  • Prater, T. T. (2016). “"Chinese Jamaican Identity and Digital Diaspora: Negotiating YouTube and Nation"” Presented at the Association for Asian American Studies Association for Asian American Studies Conference Miami, Florida
  • Prater, T. (2016). “"Get in Formation: Understanding The Politics of Beyoncé's Performance"”
  • Prater, T. T. (2015). “"'Look Pon Likkle Chiney Gal':Tessanne Chin and Digital Caribbean Subjects"” Presented at the Northeast Modern Language Association Northeast Modern Language Association Annual Conference Toronto, Canada
  • Prater, T. T. (2014). “"'Look Pon Likkle Chiney Gal': Tessanne Chin, The Voice, and Globalized Caribbean Identities"” Presented at the Columbia and Barnard Universities The Caribbean Digital New York
  • Prater, T. T. (2014). “"The Voice, Globalized Caribbean Identities and Nationalisms"” Presented at the University of Shanghai Global Studies Conference Shanghai, China
  • Prater, T. T. (2014). “"'Chinita Goodaz': Tessanne Chin, The Voice and the Popularization of Chinese Jamaican Identity"” Presented at the University of Hong Kong Fashion in Fiction Conference Hong Kong
  • Prater, T. (2013). “"Mapping Jamaican Identity on YouTube: Digital Diaspora and the Case of 'Hakka Chinese Jamaican'"” Presented at the University of West Indies 32nd Annual West Indian Literatures Conference College of the Bahamas
  • Aslinger, B. S., Prater, T. (2013). “"YouTube C'yan Done: Networked Jamaican Reggae, Performance, and Genre"” Presented at the International Association for the Study of Popular Music International Association for the Study of Popular Music biannual conference Gijon, Spain
  • Aslinger, B. S., Prater, T. (2013). “"Networked Jamaican Reggae: Recording, Performance and Race in a Transnational Music Industry"” Presented at the International Communication Association International Communication Association London, UK
  • Prater, T. T. (2013). “"Techno-Orientalism in Ridley Scott's Blade Runner"” Presented at the Inter-Disciplinary.net Global Monstrosities Conference Prague, Czech Republic
  • Prater, T. T. (2013). “"'Uncle law was in force': Chinese Masculinity and Jamaican Nationalism in Kerry Young's Pao"” Presented at the Association of Asian American Studies Association of Asian American Studies Conference Seattle, WA
  • Fung, C., Prater, T. (2013). “"The Techno-Asian Body in Ridley Scott's Blade Runner and Larissa Lai's Automaton Biographies"” Presented at the Northeast Modern Languages Association (NeMLA) Northeast Modern Languages Association (NeMLA) Annual Conference Boston, MA
  • Prater, T. T. (2012). “"'We are Jamaicans. We are brothers": The Language of Brotherhood and Independence in Kerry Young's Pao"” Presented at the University of Miami 31st Annual West Indian Literature Conference Miami, FL
  • Prater, T. T. (2012). “"Labrish and Mooncakes: The Meeting of Vernaculars in the work of Easton Lee"” Presented at the Association of Asian American Studies Conference Washington, D.C.
  • Prater, T. T. (2012). “"Pidgin and Patois: the Meeting of Vernacular Traditions in the Work of Easton Lee"” Presented at the Rutgers, The State University of New Jersey Eastern American Studies Association Conference New Brunswick, New Jersey
  • Reviews


  • Prater, T. (2024). "Conversations between the closer kin.”. Duke University Press (Link)
  • Prater, T. T. (2016). Things That Fly in the Night: Female Vampires of the Circum-Caribbean and African Diaspora. , (41) 2 2.
  • Prater, T. (2012). Exceptional Violence: Embodied Citizenship in Transnational Jamaica. , (37) 4
  • Prater, T. (2012). The Difficulties of Independence: Chinese Jamaican Identity in Kerry Young's Pao. , (9)
  • Prater, T. (2010). 'Papa had to die to set us free' - Book Review The Fullness of Everything. , (2) (Link)
  • Service

    Service: Department


  • Facilitator and Interviewer for Creative Writers Forum 2021-09-01 - 2021-09-29
  • Committee Chair for Search Committee - Critical Race and Ethnic Studies 2019-10-01 - 2020-05-31
  • Committee Member for Evaluation Committee 2019-08-01 - Present
  • Mentor (Faculty) for Val Wang 2019-01-01 - 2019-08-31
  • Committee Chair for Search Committee Communications Hire 2017-10-01 - 2018-05-01
  • Committee Member for Curriculum Committee 2016-09-01 - Present
  • Committee Member for Research Committee 2016-09-01 - Present
  • Coordinator of the English Major for English and Media Studies Department 2016-04-12 - Present
  • Committee Member for Search Committee for Digital Media Scholar 2013-10-01 - 2014-02-28
  • Committee Member for EMS Subcommittee 2011-11-01 - Present
  • Committee Member for Literature and Film Committee 2011-09-01 - Present
  • Service: Professional


  • Committee Member for Chinese Caribbean Studies Network 2022-02-01 - Present
  • Member for Caribbean As Method 2020-03-01 - Present
  • Committee Member for International Conference on Narrative 2014 2013-10-01 - 2014-03-29
  • Service: University


  • Committee Member for Academic Leadership Committee 2023-09-01 - Present
  • Committee Member for Student Experience Committee 2021-11-01 - Present
  • Committee Member for Student Wellbeing Committee (subcommittee of Student Experience Committee) 2022-01-01 - 2022-03-31
  • Committee Member for Bentley Research Council 2020-09-01 - 2023-09-30
  • Committee Member for Diversity Designator Committee 2020-01-01 - 2022-01-31
  • Special Institutional Assignment for Ad Hoc group to generate parameters for "Creative Capstones" for the Honors Program 2019-09-01 - 2020-05-31
  • Committee Member for Ad Hoc committee to Commemorate the work of Toni Morrison 2019-09-01 - 2019-10-28
  • Committee Member for Faculty and Staff of Color 2011-09-01 - Present
  • Committee Member for LGBT Committee 2011-09-01 - Present